MiniMax H3 Video Prompt Library

Create an explosive, motion-graphics-driven character reveal trailer in 16:9, exactly 13 distinct cuts, 24fps. The character is the exact girl from the provided reference image: preserve her face, proportions, hairstyle, outfit, materials, accessories and colors throughout; never redesign her. This film is 80% bold graphic design in motion and 20% character action: giant kinetic typography, hard-edged shapes, diagonal wipes, flat color fields, barcode strips, UI ticks, halftone, speed lines and shutter flashes. Palette: ice blue, cobalt, white, silver-grey, black. Style: premium AAA motion-graphics title sequence x streetwear campaign film. Every graphic element moves fast and snaps hard on the beat. CUT 01 | 0.00-1.00s - Pure graphics: a vertical ice-blue lightning slash rips a black field in half, white shards spray sideways, a barcode strip races left-to-right and breaks; the letters slam in one after another with heavy impact shake and chromatic aberration. CUT 02 | 1.00-2.00s - The letters collapse into a receding tunnel of nested rectangles; she bursts through the vanishing point in a low, aggressive sprint, frost particles peeling off her sneakers, camera whipping to follow. CUT 03 | 2.00-3.10s - She plants both hands on a giant rotating block of white typography and pendulum-swings underneath it, kicking the letters into spinning fragments that trail ice-blue streaks; whip-pan as she exits frame right. CUT 04 | 3.10-4.00s - Full-bleed diagonal color fields (cobalt / white / ice-blue) wipe in sequence; she appears only as a high-contrast silhouette performing a single continuous wall-kick into a mid-air twist. Huge horizontal text OVERDRIVE scrolls in the opposite direction of her travel. CUT 05 | 4.00-5.10s - She ricochets off a towering stack of stacked words reading KEEP MOVING, each bounce sending a letter flying; camera tracks her in a tight orbit as the stack topples, then snap-zooms to her determined profile. CUT 06 | 5.10-6.00s - Hard cut to a stark white editorial card with enormous black DROP and a single cobalt underline; she drops from the top of frame, lands on the word, compresses it like a trampoline and launches again; the type rebounds with a spring distortion. CUT 07 | 6.00-7.00s - Silver-grey field crossed by a thick black chevron; she cartwheels along the chevron in four stroboscopic ghost frames, each ghost a different palette color; giant outlined text SPIN rolls 360 degrees in perfect sync with her rotation. CUT 08 | 7.00-8.00s - Kinetic type barrage: the words SHARP / QUICK / FRESH / COLD slam in one per beat with shutter flashes and camera shake while she power-slides on one knee across the foreground, jacket flaring, frost bursting from the platform sneakers. CUT 09 | 8.00-9.00s - Black frame, giant white isometric cubes tumbling in 3D space; she sprints across the tops of the cubes, plants a foot and launches into a tight corkscrew, freezing at the apex; a thin ice-blue reticle and data ticks lock onto her silhouette. CUT 10 | 9.00-10.10s - Freeze releases: she dives toward camera through successive flat-color planes that peel away like torn posters, each plane revealing a larger fragment of her name; a sneaker wipe across the lens ends the shot. CUT 11 | 10.10-11.10s - Rapid-fire graphic cards: five full-screen layouts snap past with hard cuts — each a different bold composition (offset type, oversized chevron, barcode overlay, slashed crop, halftone burst) showing her in a unique athletic beat (handspring, low dash, mid-air reach, crouched ready stance, walking away). Numbers 01–05 punch in the corners. CUT 12 | 11.10-13.00s - Hero moment on a clean white cyclorama: she lands a final twisting aerial dead center in slow motion, plants, stands tall with one hand in a pocket, and a shockwave of concentric ice-blue rings, wind streaks and shattered letterforms blasts outward; brief iconic freeze with her faint confident expression, then overexpose to white. CUT 13 | 13.00-15.00s - Final identity card: enormous black wordmark dominates a pale white field with translucent ice-blue rings, technical arcs, halftone and a rough black circular emblem containing a ghosted snow-crystal / barcode motif; she stands relaxed overlapping the letters, wind rippling her jacket; one last ice-blue pulse sweeps through the typography and a frost-ring flash punctuates the end. Editing: extremely aggressive rhythm — hard cuts on every beat, graphic matches, whip pans, snap zooms, stroboscopic freezes, foreground wipes, RGB splits, shutter flashes, impact shakes and speed ramps; every cut must feel compositionally different; typography is always fully readable before the character overlaps it. No weapons, no combat, no fire; all energy comes from motion design, wind, frost, glass and her parkour-style athleticism. BGM: hard-hitting electronic / drum-heavy future bass with aggressive drops, risers, sub hits and glitch fills locked to every cut; sneaker impacts, whooshes, glass shatters and typography slams are rhythmic sound-design elements. Peak at CUT 12 and end with a cold electronic logo stinger. Premium AAA quality, anime-inspired cinematic rendering, stylish and explosive, strong graphic-design identity, consistent character design, exactly 13 cuts.

A cinematic creation film follows one maker reconstructing the main subject shown in the referenced image completely from scratch. The referenced image defines the finished subject’s complete visible appearance, proportions, structure, materials, colors, clothing or surface details, and distinctive features; ignore its background, framing, lighting, and unrelated elements. Begin directly on an empty, clean virtual workbench. Use a stable front three-quarter overhead view that keeps the developing subject readable. There is one maker throughout, represented by the same consistent left and right hands and forearms. Show no more than two hands at once. From 0 to 14 seconds, the entire creation unfolds as a clearly accelerated timelapse with rapid, purposeful hand movement and restrained motion blur. Short jump cuts compress repetitive manual work only after each action has visibly completed. Every cut inherits the exact form and progress left by the previous action. 0-2 seconds: One hand enters already holding the first foundation material, armature, or base element appropriate to the referenced subject and places it at the center. The second hand steadies it as the maker establishes the initial supporting form. 2-8 seconds: The maker rapidly develops the subject’s major structure and volumes using one coherent creation method appropriate to what the referenced image depicts. A living subject is sculpted as one continuous, non-gory digital form from armature to anatomy; a vehicle or machine is built from chassis to functional structure; an object is formed or assembled from its supporting body outward. Each additional material or component enters from outside the frame while firmly held by one of the maker’s hands, is carried to its destination, and remains under hand control until attached or shaped. 8-12 seconds: The same hands develop the recognizable outer form and reference-specific features. The maker sculpts, fits, wraps, stitches, fastens, carves, or polishes only where appropriate to the subject. Facial features, hair, clothing, body panels, wheels, glass, surfaces, accessories, or equivalent defining elements emerge through visible hand and tool contact, never through spontaneous transformation. 12-14 seconds: The maker refines proportions, edges, joints, surface transitions, textures, colors, and distinctive details until the developing subject closely matches the referenced image. One hand stabilizes the form while the other performs each final adjustment with a hand-held tool. 14-15 seconds: The maker removes the last tool by hand and withdraws both hands. The timelapse returns to normal speed as the camera makes a restrained push toward the completed subject and holds on a clean final view. Materials and components do not need to be visible before use, but anything newly introduced must enter the frame already held by one of the maker’s hands. Nothing moves, assembles, appears, disappears, or changes material independently. Maintain one maker, one continuous subject, one creation position, and one category-appropriate construction method. No assistants, extra hands, detached anatomy, duplicated elements, magical morphing, drawing phase, software interface, cursor, menus, annotations, or text overlays.

Create a 15-second, 16:9, 24fps Korean high-fashion motion graphics film with EXACTLY 13 CUTS. STYLE: Premium AAA motion graphics × Korean fashion editorial × experimental graphic design × distressed print campaign. Core concept: CALM CHARACTER + EXPLOSIVE GRAPHIC WORLD. The woman stays elegant, restrained and almost still while giant typography, rings, ink strokes, graphic blocks, film strips, scan lines and speed trails move aggressively around her. CHARACTER LOCK: ONE young Korean woman only, age 20–23. Narrow oval face, dark-brown eyes, long wavy black hair, wispy bangs, realistic skin texture, subtle smoky makeup, nude brown-red lips. Keep EXACTLY the same face, hair, makeup, body proportions, outfit and accessories in all cuts. OUTFIT: Black asymmetric cropped blazer, charcoal thin-strap top, loose black tailored trousers, black belt, thin choker, minimal silver jewelry. High-fashion, sophisticated, NOT gothic or nightclub. PALETTE: Deep black, charcoal, burnt orange, rust red, dark olive, aged cream. Warm orange rim light + soft cream key light. NO blue, purple, pink or cyberpunk neon. CUTS: 01 Graphic opening: giant “RE”, ink strokes, expanding olive ring. 02 Extreme eye macro with orange scanning ring. 03 Woman emerges behind giant vertical “REVEAL”. 04 Four asymmetric editorial panels showing face, profile, outfit and eye details. 05 Rotating rings around her, giant “FOCUS” behind, snap zoom. 06 Aged-cream background, huge “BURN”, black ink slashes. 07 Giant “MOVE”; subtle transparent motion trails from her head turn. 08 Fast typography barrage: WILD / SOFT / DEEP / REAL. 09 Seated portrait with editorial targeting circles and graphic marks. 10 Extreme face close-up through transparent printed-film layers. 11 Fast horizontal film-strip montage with four restrained poses. 12 CLIMAX: graphics disappear briefly, she stands perfectly still. On the beat drop, huge 2D shockwave of cream brush strokes, rust-red ink, olive blocks, orange rings, typography fragments and speed lines explodes behind her. NO real explosion or magic. 13 Final hero frame: giant “REVEAL” typography, woman seated in right third, olive ring and orange lines behind. She slowly looks into camera. Final light sweep, one impact vibration, hard cut to black. CAMERA / EDIT: Hard cuts, graphic match cuts, snap zooms, foreground wipes, typography stretch, film strips, speed ramps and restrained impact shake. Her movement stays minimal and controlled. She does NOT dance. The graphics carry the energy. MUSIC: Hard electronic fashion beat, industrial pop, heavy percussion, sub-bass, metallic hits, typography slams and paper snaps. CUT12 is the biggest visual and musical climax. NEGATIVE: No character changes, duplicate people, outfit changes, blonde hair, Western facial features, cute idol styling, lingerie, gothic cosplay, pink/purple/blue neon, cyberpunk, weapons, fire, real explosions, fantasy magic, unreadable typography or excessive beauty smoothing. FINAL LOOK: Korean high-fashion model × black designer fashion × burnt orange / rust red / dark olive / aged cream × giant typography × aggressive editorial motion graphics.

（高品質なアニメーション・ミュージックビデオ、洗練された大人の男性が主役、スタイリッシュで色気のあるダンスMV） （キャラクターデザイン、顔、髪型、サングラス、ひげ、服装を全カットで一貫して維持） 夜の都会にある巨大な高級ホテルの屋上。 背景には無数の都会の光、遠くの高層ビル、ネオン、淡い霧。 ブラック、ディープブルー、アンバー、ゴールドを中心としたシネマティックな色彩。 床には薄く水が張られており、ネオンと照明が反射している。 軽い風でジャケットの裾とシャツが自然になびく。 男性が音楽のビートに合わせて、一人でスタイリッシュに踊る。 激しく飛び跳ねるダンスではなく、大人の余裕を感じるクールなダンス。 ゆっくりした肩のロール、身体を斜めに入れるステップ、滑るようなフットワーク、軽いボディウェーブ、腕を大きく使った流れるような動き。 時折ジャケットの襟を指でつかみ、ジャケットを軽く翻しながらターンする。 サングラスに指を添えながらカメラを見る仕草。 一瞬静止してから強いビートに合わせて鋭くステップを踏み、その後再び滑らかな動きへ移行する。 ダンスには「余裕、色気、自信、危険すぎないワイルドさ」がある。 カメラは本格的なミュージックビデオ撮影。 最初はローアングルの全身ショット。 男性がカメラに向かって踊りながら近づいてくる。 カメラも後退しながら追従する。 その後、身体の周囲を半円状に回り込むダイナミックなオービットショット。 足元のステップをローアングルで撮影。 ジャケットが翻る瞬間にスローモーション。 サングラス越しの顔へ急速に寄るクローズアップ。 最後は男性が軽く身体を横に向け、片手をポケットに入れ、もう片方の手でサングラスに触れながらカメラを見る。 （プロフェッショナルなMV演出、ダイナミックなカメラワーク、リズムと完全に同期した編集、映画的なライティング、浅い被写界深度、ボリュームライト、リムライト、ネオンの反射、繊細な布の動き） （重要：実写・フォトリアルにはしない。最初から最後まで高品質な現代アニメ風イラストレーションとして描写する。セル塗りと厚塗りの中間、高精細なアニメ塗り、明確な輪郭、美しい有彩色の陰影、繊細なハイライト、アニメMVのキービジュアルがそのまま動き出したような質感。顔を実写の人間に変化させない。） （文字、字幕、ロゴ、タイトル、名前は表示しない） ・ネガティブプロンプト photorealistic, live action, realistic human skin, 3D CG, western comic style, chibi, cartoon comedy style, low quality, blurry, distorted face, changing face, changing hairstyle, changing clothes, missing sunglasses, transparent sunglasses, visible eyes through sunglasses, different beard, extra fingers, deformed hands, broken anatomy, duplicated body, multiple men, background dancers, exaggerated dance, childish dance, goofy dance, smiling excessively, text, logo, subtitles, title, watermark, camera shake, flicker, inconsistent character design

A smooth, continuous 15-second first-person / over-the-shoulder cinematic mobile video of a young woman with long dark hair, wearing a beige sweater and backpack, exploring a luxurious modern hotel room. Shot on smartphone in vertical/mobile format, natural soft daylight, elegant and calm atmosphere 0:00–0:01 – Close-up of a hand holding a gold keycard tapping the electronic door lock and opening the wooden door, revealing a bright modern hotel room. 0:01–0:02 – She steps inside from behind, holding her phone up as if filming. 0:02–0:03 – Wide shot of the entire elegant room: large bed with white linens, seating area, big windows with city skyline view, natural light flooding in. 0:03–0:04 – Slow camera pan right across the cozy king-size bed with white duvet and modern headboard art. 0:04–0:05 – Camera moves toward the seating area by the large window: two grey armchairs and a round wooden coffee table. 0:05–0:06 – She stands at the window filming the panoramic city view with high-rises and a stadium outside. 0:06–0:07 – Camera pans left to the modern wooden work desk with chair, lamp and stationery. 0:07–0:08 – Camera glides toward the flat-screen TV on a light wood media console with mini cabinet. 0:08–0:09 – Close-up of the mini-bar / coffee & tea station: electric kettle, cups, sachets, neatly arranged under warm lighting. 0:09–0:10 – Camera turns toward the open bathroom doorway. 0:10–0:11 – Smooth move inside the clean modern bathroom: marble sink, large mirror, glass shower, toilet, bright lighting. 0:11–0:12 – She turns back into the main room, smiling happily while holding her phone. 0:12–0:13 – She gestures happily toward the room with one hand while filming, showing the space again. 0:13–0:14 – Extreme close-up of the smartphone screen showing the live recording of the hotel room with red record button. 0:14–0:15 – Final shot of her standing at the large window, enjoying the city view, holding the phone, soft natural light, peaceful ending. Style & technical details: Cinematic mobile footage, smooth handheld + subtle gimbal movement, soft natural window light, warm and inviting color grade, high detail, realistic textures, calm and luxurious mood. No text overlays, no logos. Vertical 9:16 aspect ratio, 15 seconds total. Soft ambient hotel atmosphere with gentle feel-good background music feel.

A 15-second editorial fashion film / fashion magazine commercial. Fast, stylish, contemporary, and visually bold. The film should feel like a rush of sharp fragments rather than a quiet portrait montage. Prioritize visual quality, movement, and editorial design above everything. Use the reference images as live visual material for face presence, fashion language, silhouette, surface texture, and mood, but do not recreate them as frozen portraits. Transform them into a living fashion film. Core rules: - The people must feel real first: breathing, blinking, gaze shifts, weight shifts, shoulders, fingertips, and mouth corners should always be alive. - No doll-like stillness, no paper-doll motion. - Every performer should have a distinct personality readable through movement, gaze, breathing, reaction speed, hand habits, posture, and expression. - Poses must be strong and clearly modeled, like fashion-model poses. - Cuts must be fast. - No shot should last longer than 2 seconds. - Scenes should change constantly, like a rush of sharp momentary fragments. - Use split-screen often enough to matter, with left and right sides acting on different intentions and never fully synchronized. - Keep the camera constantly moving: push-in, pull-out, orbiting, oblique travel, occlusion, depth shifts, and rapid reframing. - Use expressive transitions: flash cuts, match cuts, reverse flips, shutter-like wipes, split-screen interruptions, and speed-based continuity. - Avoid boring fades, boring slides, and quiet portrait sequences. Performer directions: - Performer 1: cold observer, restrained, gaze leads the motion. - Performer 2: ritual-like, hand-driven, meaningful interaction with clothing or props. - Performer 3: model-like, visual anchor, confident center presence. - Performer 4: trembling, breathable, delayed reactions, human softness. Subtle fashion gestures: Each performer should include subtle expressive fashion gestures as accents: - licking a finger - touching the cheek or chest - brushing hair back - blowing a soft breath toward the camera - winking - kiss-like motion - gaze-play Keep the tone chic, suggestive, and editorial rather than explicit. Typography: - English typography only. - The typography should feel like a designer logo system or a world-building mark, not subtitles. - It should behave like a continuous organism across the entire video: stretching, wrapping, splitting, colliding, trailing, slipping in front of and behind people, crossing cuts, and remaining present as an integrated graphic force. - Prioritize aesthetic motion and graphic presence over perfect readability. - The text may be abstracted, symbolic, geometric, and design-forward. Use words related to the project theme, such as: [WORD 1], [WORD 2], [WORD 3], [WORD 4], [WORD 5] Overall feel: A chic fashion magazine commercial with runway energy, crossed with an editorial visual language. The final video should feel like distinct personalities moving through one editorial world, with living typography cutting through the frame like a second organism. Strong, modern, editorial, with a little strange beauty and controlled unease.

A stylish blonde woman wearing a light blue bow blouse, pearl necklace, and white apron stands in a commercial kitchen before rapidly chopping an onion on a wooden cutting board. Seen from a high overhead camera angle, tears pool in her eyes with shimmering crystal gem accents on her cheeks, before the scene transitions to her aggressively scrubbing a red-sauce-stained plate with a sponge amidst dynamic flying sauce splatters. Red comic-style speed lines frame her as she strikes a confident pose, ending with a playful wink while presenting a squeaky-clean white plate directly to the camera.

Create a 15-second ultra-photorealistic cinematic luxury real-estate house tour, using the provided reference image as the visual style reference. IMPORTANT: Maintain a consistent architectural design, materials, furniture style, warm color palette, and premium luxury aesthetic throughout the entire video. The house must feel like one real, connected property. No random architectural changes. VIDEO FORMAT: Vertical 9:16 Duration: exactly 15 seconds Ultra-realistic 4K Professional luxury real-estate cinematography Smooth stabilized camera movement Natural lighting Realistic reflections and shadows Premium editorial look No people No text No logos No watermark SCENE 1 — 0-2 SECONDS — EXTERIOR REVEAL Start with a cinematic wide establishing shot of the complete luxury modern house during golden hour. Show the elegant multi-level architecture, large floor-to-ceiling windows, stone exterior walls, warm interior lights, landscaped garden, clean driveway and premium entrance. Camera slowly pushes forward toward the house like a professional real-estate drone/gimbal shot. TRANSITION: Smooth forward movement transitioning naturally toward the main entrance. SCENE 2 — 2-4 SECONDS — MAIN ENTRANCE & FOYER Camera smoothly enters through the large front door into a sophisticated luxury foyer. Show polished flooring, warm wooden staircase, elegant wall decoration, large round mirror, designer console table and soft ambient lighting. Camera moves forward slowly and naturally, revealing the open-plan interior. SCENE 3 — 4-6 SECONDS — LUXURY LIVING ROOM Transition into the main living room shown in the reference image. Show the large caramel-brown leather sectional sofa, cream upholstered lounge chairs, round wooden coffee table, patterned rug, decorative plants, wooden furniture and the central modern fireplace with gray stone/tile surround. Large windows bring in beautiful natural daylight. Camera makes a smooth cinematic side-to-side movement, showcasing the entire living space. SCENE 4 — 6-8 SECONDS — OPEN KITCHEN & DINING Camera smoothly pans from the living room into the open-plan luxury kitchen and dining area. Show a large premium kitchen island, elegant cabinetry, modern appliances, sophisticated pendant lights, marble/stone surfaces and a stylish dining area. Keep the same warm neutral color palette and architectural style. Camera slowly glides past the island for a high-end property-tour feeling. SCENE 5 — 8-10 SECONDS — MASTER BEDROOM Smooth transition into a spacious luxury master bedroom. Show a large elegant bed with premium neutral bedding, soft textured fabrics, wooden accents, designer bedside tables and large windows overlooking greenery. Warm natural sunlight enters through the windows. Camera slowly moves toward the bed and then gently pans across the room. SCENE 6 — 10-12 SECONDS — LUXURY MARBLE BATHROOM Camera transitions into a high-end master bathroom. Show large marble surfaces, a freestanding modern bathtub, spacious glass shower, elegant vanity, large mirror and warm hidden LED lighting. Use a slow cinematic camera sweep to reveal the luxurious finishes. Everything should look realistic and physically accurate. SCENE 7 — 12-15 SECONDS — BACKYARD & FINAL HERO SHOT Camera smoothly exits toward the backyard/patio. Reveal a beautiful landscaped outdoor lounge area with comfortable designer seating, greenery, warm architectural lighting and a premium swimming pool. End with a cinematic wide hero shot of the entire property glowing during sunset. Camera slowly pulls back and rises slightly, creating a premium luxury-real-estate commercial ending.

Create a 15-second cinematic girl travel vlog in 16:9 landscape. A young woman walks through a beautiful Japanese park during peak sakura season while filming herself with a compact vlog camera. She laughs softly, spins slightly beneath the cherry blossom canopy and looks upward as petals fall around her. She then points toward a peaceful hanami picnic area filled with people enjoying spring. Her hair moves naturally in the breeze. Warm golden sunlight, authentic candid emotion, realistic people and environment, handheld influencer vlog aesthetic, photorealistic 4K, 16:9.

Create a fast-paced, high-energy cinematic sports commercial featuring a professional female tennis player competing on a blue hard court. Scene & Camera: - Begin with an overhead bird’s-eye shot of her powerful serve. - Transition into low-angle tracking shots capturing her fast footwork and movement across the court. - Use intense close-ups of her focused face, hands, racket, and ball impact. - End with a dramatic golden-hour silhouette as she strikes the ball. Visual Style: Photorealistic, premium sports-commercial aesthetic, bright natural sunlight, subtle lens flares, crisp focus, realistic motion blur, dynamic camera movement, cinematic composition, 8K detail, 35mm film look, subtle film grain. Performance: Natural athletic movement, realistic tennis technique, accurate racket and ball physics, powerful swings, quick footwork, confident expressions, and believable body mechanics. Audio: Realistic tennis-court ambience, racket impacts, ball bounces, quick footsteps, and subtle cinematic sports sound design. No dialogue. Negative Prompt: Distorted hands, extra fingers, unnatural anatomy, incorrect tennis technique, floating racket, unrealistic ball movement, duplicated objects, face distortion, flickering, jitter, slow motion unless intentional, CGI appearance, low detail, watermark, text, or logos.

【REFERENCE】 Image1 `01 / SCENE_TRAPPED`：本の中に閉じ込められた第一場面、巨大本、室内、人物の位置とポーズ。 Image2 `02 / SCENE_BREAKTHROUGH`：ページを押し破る第二場面、動作、紙の亀裂。 Image3 `03 / SCENE_EMERGENCE`：現実へ出た第三場面、破れ穴、着地位置。 Image4 `04 / SCENE_ENCOUNTER`：本の中の自分と対面する第四場面の左右、指差し、巨大本。 Image5 `05 / WOMAN_MASTER`：利用者が差し替える女性全身アンカー。顔、髪、年齢感、肌、体型、全身比率、衣装、素材、配色、靴の唯一の正本。 `06 / MANGA_SELF`：05を同じ人物・衣装のままモノクロ漫画化した状態。 `07 / REAL_SELF`：05を正確に維持した実写状態。 `08 / BOOK_ROOM`：01～04共通の巨大な見開き本、木製床、寝具、カーテン、植物、暖かな昼光の寝室。 各ショットはIDだけで参照する。01～04の女性からは位置、ポーズ、動作だけを使い、外見は使わない。人物同一性は05を最優先し、06と07を同一人物の二状態とする。女性アンカーの差し替えごとに05から読み直す。場面アンカーの吹き出し、印刷文字、コマ枠、白い分割余白は使わない。 【CONDITION DEFINITION】 15秒、1:1。シネマティック実写と精密なモノクロ漫画の融合。実写は自然な肌、布、髪、暖かな立体光、漫画は紙目、網点、インク線を明瞭に分ける。4パネルは物語アンカーで、カット数は4つに限定しない。前半は真剣な脱出劇、最後は「自分が本の中に残る」不条理を驚きとパロディーへ転換。表情は困惑→恐怖→決意→安堵→違和感→強い驚き。顔を変形させず眉、瞳、口、顎、肩、呼吸を連動する。0.0～4.6秒は全身を本の印刷面内に閉じ込めた平面モノクロ漫画とし、紙の内側から現実側へ押す。肌色、実写衣装、立体化、身体突出、床への接地は4.6秒から。 【SHOT / FLOW】 0.0～1.0秒【参照：01、06、08】巨大本を低い広角で見せ、本の中へ高速プッシュイン。MANGA_SELFは困惑して見回し、眉が寄り呼吸が浅くなる。 1.0～3.3秒【参照：01、06】顔、境界を探る手、紙を押す横顔をハードカット。目が泳ぎ口元が震える。紙越しに「ここは……どこ？　出られない……」。継ぎ目を見つけ、恐怖から決意へ。 3.3～4.6秒【参照：02、06、08】低い斜め前方。踏ん張る靴、紙へ食い込む指、歯を食いしばる顔を三連続で切る。「あいて……！」。集中線と黒インクの圧力リングが手から広がる。 4.6～6.8秒【参照：02、05、06、07、08】紙が現実側へ膨らみ、手、顔、上半身、脚の順に平面のインクと紙繊維が07の肌、髪、衣装へ連続変換。境界で網点が色粒子へ変わる。カメラは裂け目を半周し、立体化に合わせ被写界深度を浅くする。破裂時、手描きの`バリッ！`が手前へ飛び、黒インク片へ砕け0.35秒以内に消える。女性は一人のまま05を維持する。 6.8～8.4秒【参照：03、05、07、08】REAL_SELFが紙片と床へ着地し少しよろける。低い追従から顔へ寄る。両手と参照衣装を確認し、驚きが安堵と小さな笑みへ。「出られた……？」。 8.4～10.3秒【参照：05、07、08】乾いたページ音。BGMに合わせ笑みが止まり、口角が落ち、眉が上がり、瞳だけ本へ動く。つばを飲み恐る恐る振り向く。顔から本へ高速ホイップパンし、肩越しのまま10.3秒の04へ接続。安堵が違和感へ変わる。 10.3～11.2秒【参照：04、05、06、07、08】左右が読める中広角。左のREAL_SELFと本の中央のMANGA_SELFが同時に指を差し、終端で短くヒットストップ。BGMはレコードスクラッチで急停止。 11.2～12.8秒【参照：04、05、06】MANGA_SELFへスマッシュズーム。目と口を大きく開き、頬のハッチングが増える。紙越しに「まさか……本当に出てきた！？」。背後に放射状の漫画線。 12.8～14.0秒【参照：04、05、07】85mm相当でREAL_SELFの顔へスマッシュズーム。05の顔比率を保ち、眉が跳ね、瞳孔が縮み、口が開き、肩が引ける。短い間の後、室内音声で「あなた……誰？」。 14.0～15.0秒【参照：04、05、07】85mmのまま一段近い驚き顔。顔と衣装はカラー、背景だけ白黒ハーフトーンと集中線へ変わり、巨大な`！？`が頭の後ろから出て一度弾む。本、カメラ、本の順に二度見し、コミカルな一音で終了。 【CAMERA / EDITING】 広角、顔、手元、低角度、短い回り込み、ホイップパン、交互スマッシュズームを使い、同じ中広角を続けない。動作か表情変化で切り、長い静止、スロー、無目的な360度回転、フェードなし。最終4.7秒は対面、交互リアクション、驚き顔アップの順に加速。 【MOTION GRAPHICS / TYPOGRAPHY】 集中線、ハーフトーン、インクの圧力リング、短いヒットストップ、紙片の奥行きを使う。`バリッ！`は黒インク、`！？`は白文字に赤いずれ影。わずかにオーバーシュートし、顔を隠さない。表示文字はこの二つだけで字幕や吹き出しにしない。 【SOUND】 overall_soundscape: 紙越しと室内の声は同じ基礎声質で距離感だけ変える。紙の張り、破裂、紙片、着地、衣擦れ、ページ音を画面へステレオ同期。台詞を重ねず、追加の声や笑い声なし。 non_diegetic_music: 0.2秒の演出無音を除き全編に約90 BPMのミステリーコメディーBGMを連続使用。ピチカート弦、バスクラリネット、チェレスタ、軽い打楽器。脱出まで上昇し、破裂で低音と打楽器を同期、着地後は一瞬明るくする。10.3秒でレコードスクラッチ後0.2秒だけ無音、以後は低いピチカート、最後は乾いた一音。台詞中はダッキング。 【NEGATIVE】 場面アンカーの吹き出し、縦書き文字、複数コマ、白い分割余白を出さない。許可した`バリッ！`と`！？`以外の文字、字幕、ロゴ、透かしなし。第三の女性、同一状態の重複、01～04の人物外見流用、別人化、05の人物・衣装・配色の逸脱、広角による顔変形、4.6秒前の肌色・実写化・立体化・身体突出・床接地、解剖学的変形、無表情、10.3秒以降の長い同一構図、指定0.2秒以外のBGM欠落、イベント順の変更を避ける。

[0–3s] — THE RIDE Low cinematic tracking shot from behind. The girl rides her red bicycle along a quiet coastal road, guardrails beside her and the endless blue ocean beyond. Her skirt and loose strands of hair move naturally in the wind. Sunlight flickers across the road as she passes. [3–5s] — SOMETHING BEAUTIFUL Side shot as she suddenly notices a flock of white birds sweeping dramatically across the ocean. She slows down, smiles softly, and reaches into her backpack for a small instant camera. [5–8s] — THE PHOTOGRAPH She stops beside the overlook and raises the camera toward the ocean. As she takes the picture, the male character quietly walks into the far edge of the frame, completely unaware that he has just been captured in her photograph. [8–10s] — THE SURPRISE Extreme close-up of the photograph developing in her hands. The ocean appears first… then she notices the mysterious guy standing in the background of the photo. Her expression changes from peaceful curiosity to surprised amusement. [10–12s] — LOOK UP She slowly looks up from the photograph. Cut to the man a few meters away, standing by the guardrail with his backpack, looking directly at her. Wind moves his hair. He gives a subtle, almost playful smile. [12–15s] — THE LITTLE TWIST He walks toward her and gently points at the photograph, realizing he's in it. She laughs quietly. He gestures toward the road ahead as if asking, “Going this way?” She smiles, gets back on her bicycle, and he starts walking beside her. Final wide shot: They move together along the coastal road while the ocean stretches endlessly behind them. The little photograph remains visible in her hand as the camera slowly pulls back into the glowing blue-and-gold horizon. MOOD: spontaneous, beautiful, slightly mysterious, innocent romance, cinematic fate, natural chemistry. IMPORTANT: No exaggerated acting, no cheesy romance, no text, no logos, realistic physics and natural human movement.

5 秒短视频提示词： 基于参考图中的年轻成年东方女性、湿发、浅灰紫色吊带修身短裙、肩上搭着浅色毛巾、浴室门口与卧室走廊环境，保持人物长相、身材比例、服装、湿发状态和室内布局高度一致。 真实 iPhone 手机随手拍摄质感，像洗完澡后被身边的人随手记录下来的生活瞬间。 0–2 秒： 她刚从浴室走出来，停在门框旁，头发湿润凌乱，发梢仍有少量水珠。她微微侧头看向画面左侧，一只手自然抬起，从耳后轻轻拨开湿发。肩上的毛巾随着动作轻微滑动，胸口和锁骨附近残留的细小水珠在室内暖光下自然反光。 2–4 秒： 她像听见镜头这边有人叫她，眼神缓慢从侧面移向镜头，动作有非常轻微的停顿。嘴角出现一点若有若无的笑意，不是摆拍式微笑，而是“发现有人在拍她”后的自然反应。另一只手保持放松垂在身侧。 4–5 秒： 她轻轻把湿发往后拨了一下，同时身体自然向镜头方向迈出半步，毛巾跟随动作轻微晃动。就在她快要靠近镜头时结束画面。 人物状态： 年轻成年东方女性，洗澡后微微疲惫但放松，神态自然、松弛、带一点亲近感。湿发贴在脸侧和颈部，真实皮肤纹理，轻微肤色不均和水珠，不磨皮，不塑料感。不要刻意撩拨，不要模特摆拍。 镜头： iPhone 主摄普通视频模式，拍摄者站在距离人物约 1.5–2 米的位置，轻微手持晃动。镜头基本固定，只在人靠近时产生一点自然跟随。不要运镜炫技，不要慢动作，不要电影级推轨。 光线： 浴室内部略偏冷白光，走廊和卧室是柔和暖光，形成真实住宅里的轻微冷暖反差。允许轻微自动曝光变化、暗部噪点、湿皮肤局部高光，不做 HDR，不做商业打光。 声音： 很轻的浴室水声余音、赤脚或拖鞋轻微摩擦地面的声音、毛巾和湿发摩擦声，环境安静，不需要对白。 限制： 不要突然大幅转身，不要夸张甩头发，不要媚眼，不要刻意挺胸，不要身体比例变化，不要衣服变形，不要毛巾消失，不要湿发突然变干，不要面部漂移，不要手指畸形，不要大幅镜头运动，不要商业写真感。 #MiniMaxH3

Create a highly realistic viral behind-the-scenes superhero filmmaking video inspired by the kind of practical forced-perspective stunt videos that go viral on TikTok, Instagram, and X — but make the concept, staging, characters, and visual execution original. The superhero is an original Superman-inspired flying superhero: a handsome adult male superhero wearing a premium blue-and-red superhero suit with a flowing red cape, but do NOT reproduce any exact movie costume, logo, emblem, actor likeness, or copyrighted Superman design. The entire sequence is filmed from a very high overhead camera looking almost straight down at a huge outdoor film set. At first glance, the scene appears to show the superhero climbing vertically up the side of an enormous skyscraper. The illusion is created by a gigantic forced-perspective city set laid completely flat on the ground. The “skyscraper” is actually a highly detailed printed/constructed city facade positioned on the road, with perspective lines making it look vertical from the camera angle. Show the complete filmmaking environment: - the superhero lying/positioned on the fake building surface - multiple film cameras - camera operators - director - assistant directors - lighting equipment - cables - crew members - stunt coordinators - production assistants - spectators watching the unusual shoot - equipment cases and production vehicles around the perimeter The director is actively directing the superhero, gesturing toward different positions and calling out instructions. Crew members move around the set naturally, making the scene feel like genuine behind-the-scenes footage from a massive movie production. The superhero performs a dramatic “vertical climb” across the fake skyscraper. From the overhead perspective, the illusion looks incredibly convincing. Then create the viral reveal: The camera slowly pulls even farther upward, revealing the full scale of the setup and making it obvious that the entire skyscraper is actually lying flat on the ground. After the reveal, transition seamlessly from the overhead BTS shot into the “finished movie shot.” Suddenly the perspective changes and the same setup looks like an enormous vertical skyscraper, with the superhero appearing to climb the side of the building hundreds of feet above the city. Make the final cinematic shot look completely believable: dramatic sunlight, realistic atmospheric haze, detailed glass skyscrapers, physically accurate shadows, realistic cape movement, cinematic depth of field, subtle camera shake, premium blockbuster cinematography. The contrast between the ridiculous real-world setup and the spectacular final shot should be the main comedic hook. Style: ultra-realistic live-action, documentary BTS footage mixed with blockbuster superhero cinematography, natural human movement, realistic production equipment, physically believable lighting, detailed environments, authentic camera operators and crew. Camera progression: 1. Extreme overhead establishing shot. 2. Slow controlled aerial push-in. 3. Medium overhead shot showing the superhero and crew. 4. Wider reveal exposing the entire fake skyscraper. 5. Dramatic transition into the finished cinematic superhero shot. 6. Final heroic shot of the superhero climbing/flying beside the enormous skyscraper. No text, no subtitles, no logos, no watermarks, no recognizable actors, no exact recreation of an existing movie scene.

Create an elegant motion-graphics-driven romantic duo reveal trailer in 16:9, exactly 13 distinct cuts, 24fps. Sole visual reference is the attached image. Preserve both characters exactly: the boy with soft messy chestnut-brown hair, large warm brown eyes, gentle smile, white button-up shirt with sleeves rolled, dark trousers, white sneakers, silver necklace and wristwatch; the girl with long wavy chestnut-brown hair, large pink satin bow, tiny heart clips, huge glossy brown eyes, rosy cheeks, soft smile, pink off-shoulder ruffled mini dress, small pink heart-clasp bag, white socks with pink bows, pink-and-white sneakers. Never redesign faces, proportions, outfits, materials or colors. Film is 80% bold yet soft graphic design in motion and 20% gentle character performance. Giant kinetic typography, hard-edged pastel shapes, split-screens, flat color fields, floating heart motifs, petal bursts, soft shutter flashes and elegant speed lines. Palette: soft pink, lavender mist, blush rose, pure white, warm cream, light gold. Style: premium AAA motion-graphics title sequence × dreamy lifestyle campaign. Every graphic moves with graceful momentum and snaps cleanly on the beat. Cozy elements (pink roses, heart balloons, wooden railing, string lights, floating petals, teddy silhouette, gift box) appear only as abstract graphic layers or soft atmosphere. CUT 01 | 0.00-1.00s Pure graphics: massive soft-pink circle blooms on white field, two translucent lavender bars wipe across, floating heart particles sparkle; elegant letters punch in one after another with gentle impact shake. CUT 02 | 1.00-2.00s Final letter becomes soft circular frame: extreme close-up of the girl’s warm brown eye inside it, lashes fluttering; soft chromatic flash, circle dissolves into drifting pink and lavender petals. CUT 03 | 2.00-3.10s White frame with enormous soft-pink typography; the couple steps lightly in from frame left and glides across the baseline of the letters, delicate speed lines and rose-petal trails following, letter fragments lifting like confetti. Soft whip-pan out. CUT 04 | 3.10-4.00s Split-screen triptych of flat soft-pink / white / lavender panels; in each panel their silhouettes perform different gentle poses in soft stroboscopic freeze: soft turn, hair flip, shared smile. Huge vertical text DREAMY scrolls slowly behind. CUT 05 | 4.00-5.10s They rise together through a giant slowly rotating ring of typography reading SWEET MOMENTS; camera tracks their mid-air twirl in gentle slow motion as letters scatter like petals, then soft snap-zoom on their confident smiling faces. CUT 06 | 5.10-6.00s Hard cut: white editorial card, huge black HEART with soft-pink slash; the girl floats over the word, fingertips touching the letter, dress and hair flowing while the boy supports her; the word gently compresses and rebounds with a soft bounce. CUT 07 | 6.00-7.00s Lavender field with soft diagonal rose stripe; they perform a light graceful spin along the stripe in three soft ghost frames, each tinted a different pastel; giant outlined text TWIRL rotates 180 degrees in perfect sync. CUT 08 | 7.00-8.00s Kinetic type barrage: the words SOFT / BRIGHT / WARM / LOVE appear one per beat with soft shutter flashes and light camera sway, while they glide across the foreground, clothes fluttering, tiny petal particles bursting from their sneakers. CUT 09 | 8.00-9.00s Soft black frame, giant white wireframe heart grid tilting gently in 3D; they step lightly up the grid, push off and hang suspended as everything freezes; a soft-pink circle stamps around their frozen pose with delicate bracket accents and floating heart ticks. CUT 10 | 9.00-10.10s Freeze releases into a soft burst: they drift toward camera through layered flat-color panes that dissolve one by one like silk, each pane revealing a bigger letter of a romantic motif; foreground wipe with sneakers and a swirl of petals. CUT 11 | 10.10-11.10s Rapid-fire poster montage: four full-screen graphic posters of the couple in different elegant poses (mid-twirl, soft slide, landing smile, gentle embrace) snap past with clean cuts, each with bold yet soft layout, oversized numbers 01–04, rose motifs and gentle diagonal lines. CUT 12 | 11.10-13.00s Hero moment on clean white cyclorama: they land a final soft spin dead center in slow motion, straighten into a close embrace with gentle smiles, and a shockwave of concentric soft-pink rings, wind streaks and shattered pastel typography blooms outward; brief iconic freeze, then soft overexpose to white. CUT 13 | 13.00-15.00s Final identity card: enormous soft-pink word dominates pale white field with translucent lavender rings, delicate arcs, soft halftone and a rough circular emblem containing a ghosted rose/heart motif; the couple stands relaxed overlapping the letters, soft breeze rippling their clothes and hair; one last soft-pink pulse sweeps through the typography and a delicate petal-ring flash ends the film. Editing: extremely rhythmic yet elegant — clean hard cuts on every beat, graphic matches, soft whip pans, gentle snap zooms, soft stroboscopic freezes, foreground petal wipes, light chromatic flashes, impact shakes and subtle speed ramps. Every cut compositionally different; typography always fully readable before characters overlap it. No weapons, combat or harsh elements; energy comes from motion design, soft wind, petals, light dissolves and their graceful lifestyle movement. BGM: catchy upbeat electronic / future-pop with bright melodic hooks, punchy drums, attractive drops, risers and sparkling fills locked to every cut. Sneaker steps, soft whooshes, petal bursts and typography impacts are rhythmic sound-design elements. Peak energy at CUT 12, close with a bright memorable electronic logo stinger. Premium AAA quality, anime-inspired cinematic rendering, stylish and luminous, strong graphic-design identity, consistent character design, exactly 13 cuts. #MotionGraphics #PastelAesthetic #AnimeCouple

画幅： 9:16，沿用原图构图 镜头形式：单镜头、一镜到底、无转场 整体氛围：沐浴后的安静日常，真实自然、克制松弛，不刻意表演 ## 首帧锁定 第 0 秒必须与 ` @图1` 精确衔接：保持成年女性的脸部身份、肤色、身材比例、湿润黑发、浅灰紫色细肩带家居裙、肩部米白色浴巾和现有站姿。 右手停留在后脑湿发处，左手自然下垂；头部朝画面左侧，视线看向浴室外。保留皮肤与锁骨处的细小水珠、湿发成束的重量感，以及浴室冷光与卧室暖光形成的冷暖对比。 ## 0.0–0.8 秒｜静止后的呼吸 画面从原图准确启动，不出现构图跳动。 人物保持原有姿势，胸口随一次自然呼吸产生极轻微起伏。视线仍停留在画面左侧，表情平静，嘴唇自然微张。 右手手指仍接触湿发，只让指尖产生轻微调整。湿发和浴巾受重力自然下垂，不突然摆动。 镜头固定，仅保留极轻微的真实手持呼吸感。 ## 0.8–2.8 秒｜整理湿发 人物右手手指缓慢穿过后脑湿发，将一小束头发向后拢起。动作轻柔、连续，不用力甩头。 头部随手部动作向右侧轻微倾斜，幅度很小；目光仍留在左侧，没有提前看向镜头。 被拨动的湿发延迟半拍跟随手指移动，几根贴在脸侧和颈侧的湿发自然分离。一颗细小水珠沿颈侧缓慢下滑，在暖光中短暂反光。 浴巾只产生轻微褶皱变化，始终稳定披在双肩。 ## 2.8–4.6 秒｜视线缓慢收回 完成拢发后，右手停留在后颈与头发交界处，不立即放下。 人物先将视线从远处缓慢移回正前偏左的位置，随后头部才跟随转回少许。她自然眨眼一次，轻轻呼出一口气，肩颈随呼气略微放松。 表情不做明显微笑，只保留沐浴后的安静、松弛和一点若有所思。嘴唇在呼气后自然合拢。 镜头开始极缓慢推近，六秒内总推进幅度不超过原画面的 5%，不改变人物主体比例。 ## 4.6–6.0 秒｜动作落定 右手从湿发间缓慢滑至后颈，最后轻轻停在浴巾边缘，不完全放下。 人物保持放松站姿，视线落在镜头左侧附近，但不直视镜头。左手手指自然松开，身体重心只发生轻微调整。 湿发在动作结束后自然贴回颈侧，浴巾褶皱缓慢稳定。最后停留约半秒，形成安静、生活化的结束画面。 ## 声音设计 保留浴室换气扇的低声运转、远处细小滴水声、湿发与手指的轻微摩擦声，以及浴巾移动时柔软的衣料声。 无对白、无旁白、无背景音乐、无字幕。 ## 连续性与禁止项 - 人物脸部、五官、肤色、体型和年龄感全程一致。 - 湿发长度、颜色和湿润状态保持不变，不突然变干、增长或换发型。 - 家居裙颜色、剪裁、肩带位置和覆盖状态保持稳定，不滑落、不变形。 - 浴巾始终披在双肩，不消失、不换色、不突然掉落。 - 水珠只能缓慢下滑，不突然增加、闪烁或全部消失。 - 保持原图中的门框、浴室、卧室床铺以及冷暖光线方向。 - 不新增人物、镜子倒影、手机、首饰或其他道具。 - 不使用甩头、撩发摆拍、夸张眨眼、突然微笑或直视镜头等刻意表演。 - 不推近身体局部，不改变原图自然生活化的拍摄视角。 - 避免面部漂移、手指畸形、额外肢体、衣物穿模和背景结构变形。

时长：15秒 比例：9:16 人物参考：@图片1 语言：无对白 字幕：无字幕、无旁白、无文字 人物参考规则： 仅参考@图片1锁定成年女主的五官、脸型、肤色和人物身份，不参考图片中的服装、发型与背景。全程同一张脸，妆容、发型和身材比例保持一致。 女主造型： 复古港风长卷黑发，偏分发型，发丝蓬松自然；细长眉、黑色眼线、哑光酒红唇妆。佩戴一对华丽复古金色雕花耳坠。 穿深酒红色丝绒修身吊带长裙，心形领口、贴合腰线、长度至小腿，裙摆后方小开衩；搭配黑色尖头细高跟鞋。裙子颜色全程保持深酒红，不变成鲜红或紫色。 场景： 1990年代香港豪华酒店套房。深色胡桃木墙板、米白墙面、黄铜壁灯、黑色木质百叶窗、墨绿色丝绒沙发、复古电话、暖色大理石洗手台和大型浴室镜。落日从百叶窗射入，在墙面与人物脸上形成横向光影。 整体风格： 真实港风酒店随拍Vlog，复古电影质感，暖金高光、墨绿阴影、轻微胶片颗粒、柔焦辉光、自然皮肤纹理。人物冷艳、自信、松弛，不持续微笑，不做网红式夸张动作。 SHOT 1（00:00-00:03.50）床头怼脸 Subject： 女主侧身倚靠在深色软包床头，镜头距离面部很近。 Action： 00:00-00:01.20，女主闭着眼睛，头轻轻靠向右侧，右手托住脸颊，像刚从午睡中醒来。 00:01.20-00:02.40，她缓慢睁眼，先看向窗外，再把视线移回镜头；指尖沿着耳侧整理一缕长发，金色耳坠轻轻摆动。 00:02.40-00:03.50，她嘴角出现很轻的笑意，手掌继续托着下巴，保持眼神交流。 Camera： 面部近景，50mm质感，轻微手持呼吸感；缓慢向前推进约10厘米，焦点锁定双眼。 Lighting： 柔和暖光照亮一侧面部，另一侧保留自然阴影。 SHOT 2（00:03.50-00:07.20）浴室门口走出 Subject： 女主站在酒店浴室门口，背后是大理石洗手台、复古镜框和两盏黄铜壁灯。 Action： 00:03.50-00:04.60，动作匹配切到全身。女主双臂轻轻交叉，背靠门框，冷静看向镜头。 00:04.60-00:06.00，她放下双手，从浴室向镜头缓慢走出两步。酒红裙摆随步伐轻微摆动，高跟鞋落地稳定。 00:06.00-00:07.20，她停下，一只手扶腰，身体转向侧面约30度，展示裙子的腰线；随后回头看向镜头。 Camera： 固定全身景别，略低机位。人物靠近时镜头轻微后退，保持头顶和高跟鞋完整入画。 Performance： 步伐从容，不扭腰过度；表情冷艳，回眸时眉眼稍微放松。 SHOT 3（00:07.20-00:11.20）百叶窗光影 Subject： 女主站在黑色木质百叶窗旁，落日光线横向划过面部和肩颈。 Action： 00:07.20-00:08.50，胸像侧面特写。女主抬头看向窗外，阳光从鼻梁缓慢移动到眼睛，发丝边缘出现金色轮廓光。 00:08.50-00:09.80，她抬起右手触碰百叶窗，轻轻推开一片叶板，更亮的光线落在脸上；她微微眯眼，保持自然呼吸。 00:09.80-00:11.20，她放下手，缓慢转头直视镜头。神情由疏离转为自信，嘴角仅轻微上扬。 Camera： 85mm侧脸特写，缓慢横移，从纯侧脸移动到四分之三正脸。背景虚化，耳坠和眼睛保持清晰。 SHOT 4（00:11.20-00:15.00）套房收尾 Action： 00:11.20-00:12.40，女主走到墨绿色丝绒沙发旁，一只手轻轻扶住沙发靠背，身体向后倚靠，长发自然落在肩后。 00:12.40-00:13.50，她坐到沙发扶手边缘，双腿自然交叠，侧头笑一下；不是大笑，只是松弛、满足的微笑。 00:13.50-00:15.00，切回浴室门口全身构图。女主双手整理耳侧长发，然后一手叉腰，另一只手自然垂下。她正面看向镜头，保持冷艳自信的定格姿态。 Camera： 先以中景跟随她走向沙发，再用动作匹配切回门口全身镜头。最后缓慢后退，展示完整酒店套房。 Audio： 复古粤语流行音乐氛围的纯器乐，低音鼓、柔和萨克斯与电钢琴；保留高跟鞋脚步、裙料摩擦、百叶窗轻响和室内环境声。无人物说话。 连续性要求： 同一酒店套房、同一酒红裙、同一发型与耳环。镜头之间通过整理头发、转头和扶腰动作进行匹配剪辑。所有动作自然缓慢，保留真实Vlog随拍感。 Negative： 现代网红公寓，廉价酒店，白色快捷酒店，背景杂乱，霓虹夜店，人物换脸，五官漂移，年龄变化，发型变化，短发，服装变化，红裙变色，裙子忽长忽短，耳环消失，夸张扭腰，持续媚笑，嘟嘴，过度眨眼，机械走路，脚底滑动，高跟鞋变形，手指粘连，多余手臂，面部扭曲，塑料皮肤，过度磨皮，动漫感，强烈美颜滤镜，镜头乱晃，快速闪切，曝光过度，字幕，旁白，文字，水印，Logo

[镜头 1] 写实数字人时尚表演风格，竖屏 9:16，时长 8 秒。一名成年东亚女性位于简约客厅中央。她拥有瓷白色肌肤、黑色齐耳直短发、深红色眼妆和柔和的红唇，身穿黑色高光蜘蛛主题连体紧身衣。服装带有精细的银色蛛网纹理、一体式手套、反光侧面拼接和胸前白色蜘蛛图案。摄影机采用与视线平齐的中全景构图，取景范围从大腿上部至头顶。女子将双手放在脑后，双肘对称地向两侧展开，直视镜头，同时配合音乐做轻微口型，嘴巴微张，并缓慢左右摆动髋部和上半身。在 00:04.500，左右摆动髋部和上半身的时候，她以小幅度、慢速抬起下巴，双眼向上转动，形成一次鲜明的表情节拍。在 00:05.800，她眨眼后重新直视镜头，最后回到开场姿势。摄影机使用 Static Shot（固定镜头），零幅度、零移动速度，无摇摄、俯仰、推拉或变焦。保持角色面部身份、短发造型、身体比例、服装纹理、蜘蛛图案、手臂姿势、灯光及背景结构一致。身体结构自然，眼睛稳定，口型自然，反光布料物理效果真实。无字幕、无水印、无账号文字、无品牌标志、无额外人物、无多余肢体、无手部畸形、无服装纹理漂移、无面部变形、无背景扭曲、无画面闪烁、无镜头抖动。 overall_soundscape: 极其轻微的室内底噪。女子摆动身体时，紧身合成面料发出细微的拉伸与摩擦声，同时保留克制而自然的呼吸声。没有对白，也没有突出的环境声。所有物理动作声保持轻微，并位于音乐声层之下。 non_diegetic_music: 约 116 BPM 的暗黑性感电子流行音乐循环。使用稳定的底鼓、清脆的军鼓、脉冲式次低音、短促的合成器重音，以及经过处理的气声女性人声纹理，不出现可辨识歌词。在 00:04.500，将最强音乐重音与女子向上转动眼睛的动作严格同步。整体采用具有社交媒体短视频质感的高压缩混音，但避免数字削波和爆音。在 00:08.000 干净利落地硬切结束，不保留混响尾音。

夜の部屋を舞台にした、センシュアルなムードフィルム。 日本のアニメ作画。手描きの繊細な線、平坦なセル塗り、フルカラー。 浅い被写界深度、フルサイズ換算24〜85mmのズーム感。 60 BPM。BGMあり、セリフなし、環境音のみ。 # 制約 @[char ref] は彼女の顔立ち・髪型・体型・衣装・アクセサリー・アニメの作画様式を定義する。 参照画像の背景と構図は使わない。アクセサリーを新たに足さない。 出力には常に彼女ひとりだけを映す。他の人物・手・撮影者・カメラ機材は一切映さない。 彼女の同一性、解剖、髪型、衣装、アクセサリー、アニメの作画様式は全カットで完全に同一に保つ。 場所の固定：全編が同じひとつの部屋の中である。家具はソファとベッドの二つだけで、 どちらも同じ部屋にある。窓は常に画面奥にある。部屋の外へは一度も出ない。 煙草の定義：火のついた煙草は [A] と [B] にだけ存在し、常に一本だけである。 [A] の終わりに彼女が灰皿の縁へ置き、[B] ではその一本が灰皿で燃え続けている。 [C] 以降、彼女の手に煙草はなく、口へ運ぶ動作も、新しく火をつける動作も一切映さない。 [C] 以降、煙は画面のどこにも漂っていない。 靴の定義：彼女は [A] と [C] ではヒールを履いている。[F] で片方が脱げ、 [E] では両足とも素足である。ヒールは一足だけであり、増えない。 小物の定義：室内にあるのは、吸い殻が二本入った灰皿、火のついた煙草、サテンのシーツ、 薄いカーテン、彼女のヒール、これだけである。 ロゴ・文字・数字・ラベルは画面のどこにも存在しない。 編集のリズム：長く回し続けるロングテイクが主体であり、そのあいだに二度だけ、 極端に短いカットの連打が割り込む。均等な尺のカット割りにしない。 ロングテイクの中でカメラは一度も止まらず動き続ける。 # 情景 夜の部屋。天井灯は消えており、光源は低い位置の暖かいテーブルランプがひとつだけ。 窓には薄いカーテンが引かれ、その向こうから街灯の弱い光が拡散して入る。 床とサテンのシーツだけが艶を持ち、暖かい光を鈍く映す。 誰にも見られていない、静かで親密な深夜。 光と影が肌の輪郭をやわらかく浮き上がらせる。 奥行きは前景・中景・遠景を明確に分離する。中景に彼女、遠景にカーテンと窓。 # シーン [A] 0:00-0:03.6 ロングテイク。カメラは止まらずに動き続ける。 画面は前景に漂う煙草の煙で埋まっている。カメラが抑えたプッシュインで煙を抜けると、 ソファに深く沈んで座る彼女の正面ミディアムクローズアップが現れる。 彼女は指のあいだに火のついた煙草を持っており、それを唇へ運び、ゆっくり吸い込む。 先端の火が暗がりで赤く強くなり、彼女の顔の下半分だけを一瞬照らす。 下唇が煙草から離れるとき、唇が歯に一度引っかかってから滑り落ちる。 カメラはそのまま速い弧を描いて下降し、顎が持ち上がって喉の線がぴんと張るところで、 喉が一度だけゆっくり動いて嚥下する。 彼女の指が煙草をわずかに傾け、灰が音もなく落ちる。 そのまま手が伸びて、煙草を灰皿の縁へ静かに置く。 指の力が抜け、手首がソファの肘掛けの上へゆっくり倒れていく。 [B] 0:03.6-0:04.6 短いカットの連打。2カット、各0.5秒。ハードカット。 b1: 灰皿の極寄り。縁に置かれた一本の煙草の先が赤く燃え、細い煙が立ち上っている。 その隣に吸い殻が二本あり、片方の先に口紅がついている。 b2: 唇の極寄り。細く長い煙が唇のあいだからゆっくり押し出される。 [C] 0:04.6-0:08.4 ロングテイク。カメラは止まらずに動き続ける。 同じソファ。彼女は浅く腰かけ直して背筋を立て、上体をまっすぐ起こしている。 空気から煙は完全に消えている。左の横顔。両手は何も持っていない。 舌先が口角をゆっくり湿らせる。 カメラは頬のすぐ横をホイップして通過し、鎖骨の高さまで寄って回り込む。 彼女の指先が喉のくぼみに触れ、そこから鎖骨のラインを辿り、 胸元の布の縁までゆっくりと滑り降りて、そこで止まる。 指先が布の縁の上で一度だけ押し当てられ、生地がわずかに沈む。 指が通ったあとを、横からの鋭いリムライトが追う。 カメラは胸元のクローズアップまで寄り、鎖骨から胸にかけてのラインが 呼吸で浅く上下しているところを捉える。 続けて彼女が脚を組み替え、生地が擦れて張り、 カメラは腰のラインを横へ高速でスライドしながら、その動きを追い越す。 [F] 0:08.4-0:09.9 短いカットの連打。3カット、各0.5秒。ハードカット。 f1: 真後ろからのクローズアップ。薄い生地の下で肩甲骨が動く。 f2: 睫毛が触れ合ったまま留まるスローブリンクの極寄り。 f3: 足元のクローズアップ。爪先が床を押さえ、踵がヒールから抜けていき、 素足が完全に離れて、空になったヒールが床の上に横倒しに残る。 [E] 0:09.9-0:15.0 ロングテイク。カメラは止まらずに動き続ける。 ベッドの上。カメラは床スレスレの高さからサテンのシーツの上を前進していく。 彼女は素足でシーツへ身を沈め、片膝を立てる。 サテンがふくらはぎの下で滑って皺を作る。 片手がシーツを深く握り込み、布が指のあいだで束になって引き寄せられ、 指の関節が白くなってから、ゆっくり力が抜けて開く。 カメラは胴体の高さへダイブし、そのまま上昇して顔の近くを通過し、 彼女が口をレンズのほうへ向けて肩越しに振り返るところで速度を落とす。 そのままカメラは彼女の周囲をタイトに周回する。 彼女は背中を反らせて長く上へ伸び、布が肋骨の上で張り、 両手が髪を下から掬い上げてうなじから離す。 カメラは肩から顔へ連続してスキムし、前景のカーテンの襞と背景の窓に強い視差が生まれる。 彼女は顎の線とうなじが同じランプの光を受ける角度まで、わずかに振り返る。 指先が自分の首筋の脈に当てられる。 最後に彼女が細く長い息をゆっくり吐き、唇がわずかに開いたまま留まり、 レンズを見下ろす姿勢で静止する。 カメラは外へ弧を描きながら下降して引き、部屋の全体が暖かい光の中に開く。 その引きの構図のまま完全に静止して終わる。 # 音 部屋の低い静寂、遠い車の走行音がかすかに続く。 冒頭では煙草の紙が燃える微かな音、息を吸い込む音、煙を吐く音が入る。 全編を通して、唇が離れる小さな音、髪が動く音、布が擦れる音がある。 ヒールが脱げる場面では、革が踵を離れる短い音と、 ヒールが床に落ちて一度だけ鳴る乾いた音が入る。 ベッドではサテンが滑る音、シーツが握り込まれる音、静かな呼吸だけになる。 台詞と歌は一切ない。

Locked character (do not redesign): chibi proportions, black wavy hair + messy bangs + twin tails, white lace bonnet, huge glossy dark eyes, rosy cheeks, cream puff-sleeve dress with lace hem, chunky yellow rain boots, giant four-leaf clover on a green stem. Palette: leaf green, gold, cream, white, charcoal, yellow. Rejected on purpose: cobalt slam-circle, eye-in-the-O porthole, cobalt/white/ice triptych, wall-run on a 3D grid, four action posters 01–04. 13-cut board (16:9, 24fps, ~15s) CUT 01 | 0.00–1.00 Cream field. Four heart-leaflets slam in one-by-one and lock into a giant four-leaf mark. Gold micro-ticks + a luck “barcode” flicker. Letters L · U · C · K punch in with bounce-shake. CUT 02 | 1.00–2.00 The clover becomes a spinning charm-window: her face peeks through the center gap, smiling, stem in both hands. Leaflets peel off as flat green shards. Gold RGB tick, no eye-macro. CUT 03 | 2.00–3.10 Huge green word FOUR on cream. She skip-hops in from the right, swinging the clover like a parasol; leaf confetti + gold pollen kick up from the yellow boots. Whip-pan off her kick. CUT 04 | 3.10–4.00 One giant clover used as a 4-leaflet layout (not a split-screen triptych). Each leaflet holds a tiny different beat: hop / peek / twirl / boot-kick. A ribbon of type LUCKY threads down the stem. CUT 05 | 4.00–5.10 She jumps through a slow-rotating type ring FIND YOUR LUCK. Mid-air she spins the clover overhead like a pinwheel. Letters scatter as leaves. Snap-zoom on the smile, not a parkour face-lock. CUT 06 | 5.10–6.00 White editorial card. Giant black CHARM with a single green slash. She pole-vaults using the clover stem, palm on the C; the word compresses like a spring and rebounds. No “JUMP” vault. CUT 07 | 6.00–7.00 Soft green field, gold diagonal path. She cartwheels along it in three ghost frames (cream / leaf / gold). Outlined type SPIN rotates 180° with her. No backflip-on-stripe streetwear read. CUT 08 | 7.00–8.00 Type barrage on beat: SOFT / WILD / LUCKY / GREEN. She skip-slides on the yellow boots in the foreground, dress flaring, clover leaves fluttering, pollen burst from the soles. Jacket-flare language replaced by dress + bonnet flutter. CUT 09 | 8.00–9.00 Cream void. A flat paper clover unfolds in 3D (not a wireframe city grid). She balances on one leaflet like a tiny raft, pose freezes. A gold seal stamps around her with luck-% ticks and a 4-leaf bracket. No wall-run. CUT 10 | 9.00–10.10 Freeze breaks. She leans toward camera through layered translucent green panes that shatter like pressed leaves, each pane revealing a bigger letter L-U-C-K. Foreground wipe is the yellow boot + clover tip. CUT 11 | 10.10–11.10 Not posters. A slot-machine / stamp barrage: giant clover icons spin and lock 4-up, overlaid numbers 4 · 7 · 4 · 7, barcodes, gold slashes. She is only a repeating silhouette spinning the stem inside the lock-up. Hard cuts, no 01–04 pose posters. CUT 12 | 11.10–13.00 White cyclorama. She lands a playful spin, plants the clover like a standard, and a shockwave of concentric green rings + leaf shards + gold dust blows out. Brief freeze, faint smile, overexpose to cream-white. CUT 13 | 13.00–15.00 Identity card: enormous charcoal 4 (or LUCK) on pale cream, translucent green rings, halftone pollen, rough circular emblem with ghosted four-leaf + barcode. She stands relaxed overlapping the letter, wind in dress and bonnet. One green pulse through the type, frost-ring replaced by a gold pollen-ring flash. Edit language: hard cuts on the beat, graphic matches (leaflet → window → type), whip pans, snap zooms, 3-frame ghosts, foreground leaf/boot wipes, shutter flashes, impact shakes. Type always readable before she overlaps it. Energy = luck, wind, leaves, glass-leaf shatter, spring — no weapons, no combat, no fire. BGM: bright future-bass with mallet hits and clover-leaf whooshes instead of industrial subs; still lock slams to every cut; peak at CUT 12; cold lucky-charm stinger on CUT 13.